‘Les Miserables’ // Lynch & Paterson
‘Les Miserables’ was extraordinaire. When the first swell of the orchestra struck up the impressive overture of ‘Les Misérables’, I knew I was in for…
‘Les Miserables’ was extraordinaire. When the first swell of the orchestra struck up the impressive overture of ‘Les Misérables’, I knew I was in for…
Australasian Dance Collective is thrilled to unveil ‘Liminal’, a digital work available for online viewing. Presented on ADC’s Digital Suite, which is a bespoke collection…
‘The Kaye Hole’ was tantalizing. Stepping into QPAC’s Cremorne Theatre for Reuben Kaye’s ‘The Kaye Hole’ was like stepping back in time to an old…
This January, the Cremorne Theatre at QPAC is being transformed into an elegant speakeasy with luscious cocktails and decadent charcuterie to host the cabaret event…
A new People’s Choice Award will be launched in 2022, as part of Theatre Haus’ Wall of Faves spotlight. The announcement comes as Theatre Haus…
‘Boyles and Waters in LEOTARD’ was golden. If you’ve ever awkwardly covered yourself at the back of a ballet class in a baby pink cotton…
‘Cirque Bon Bon’ was magnifique. Welcome ladies and gentlemen, Bienvenue mesdames et messieurs, to the seductive, the tantalizing, ‘Cirque Bon Bon!’ With shadows cast across…
Lucas D. Lynch’s dream was born over a decade ago in a Sydney CD store and is coming true this weekend at Brisbane’s Twelfth Night…
‘AIFF21: Keeping it Real’ was relevant. The Australian Independent Film Festival kicked off its second day of content with the documentary session, ‘Keeping It Real.’…
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