‘As You Like It’ // Ozact
‘As You Like It’ was lively.
It's become a cliché to say that Shakespeare should be performed and not read, but this is true more for 'As You …
In The Haus: Alisdair Macindoe
Living and creating on Woi Wurrung country, Alisdair Macindoe is a groundbreaking multidisciplinary choreographer whose work daringly traverses dance, sound, electronics, coding, and text. Macindoe’s…
‘Cinderella’ // Empire Theatre
'Cinderella' was polished.
In the most polished dress rehearsal community theatre has ever seen, ‘Cinderella’ was presented at The Empire, Toow…
Gobo: A Lighting Term
The gobo is an indispensable tool in the lighting designer's toolkit, offering a versatile and effective means of enhancing theatrical storytelling th…
‘Choose Your Own Adventure’ // Hey Dowling and Amazon Woman Enterprises
‘Choose Your Own Adventure’ was an adventure. Never before have I attended a play where I felt so much a part of it. Not just…
‘The 39 Steps’ // Hearth Theatre
‘The 39 Steps’ was addictive. Stepping into The Chapel at Chapel Off Chapel on a hot 37-degree evening in March, the crowd is alive, sipping…
‘Great Expectations’ // Villanova Players
‘Great Expectations’ was grand.
Villanova Players’ production of Charles Dickens’s 'Great Expectations' is a grand admirable undertaking fo…
In The Haus: Frances Story
From Australia to stages in Singapore, Auckland and Canada, Frances Story has etched her mark in scenic and construction design across the globe and nationwide.…
‘Banging Denmark’ // PIP Theatre
‘Banging Denmark’ was bawdy in its hilarious indecency and exploration of what it means to be a man versus a woman amid today’s constantly evolv…
‘Towards Zero’ // St Luke’s Theatre Society
‘Towards Zero’ was intriguing.
A dead body, lies and suspense…. St Luke’s Theatre Society’s production of Towards Zero had all the tradem…