‘Brisbane Improv Festival’ // Big Fork Theatre
‘Brisbane Improv Festival’ was amusing.
Brisbane Improv Festival and Big Fork Theatre continue to impress and delight, highlighting the dedicat…
Category: Reviews
‘Monty Python’s SPAMALOT’ // The Spotlight Theatre Company
‘Monty Python’s Spamalot’ was hysterical.
Watching the show, one would not know that this was a community theatre production. Between remarka…
‘Chameleon’ // Highwire Entertainment and Gasworks Arts Park
‘Chameleon’ was colourful.
Finding your voice can be tricky. Knowing how to use it can be even harder. But for Stewart Reeve, finding his voi…
‘Natasha, Pierre and The Great Comet of 1812’ // Darlinghurst Theatre Company
‘Natasha, Pierre and The Great Comet of 1812’ was liricheskiy.
It's a complicated Russian novel, everyone's got nine different names! ⭐ 'Nata…
‘Top Girls’ // Ad Astra
‘Top Girls’ was multifaceted.
The price of being a successful career woman is layered with sacrifice. Ad Astra’s latest production explores t…
‘NO EXIT’ // Stage Fright Productions
‘NO EXIT’ was captivating.
'NO EXIT' serves as a reflection on the consequences of our actions and the torment we endure in our relationships w…
‘Beginning’ // PIP Theatre and Moonspark Productions
‘Beginning’ was awkward-licious.
David Eldrige’s ‘Beginning’ delighted PIP Theatre’s audience with its story of Laura and Danny, awkwar…
‘The Cemetery Club’ // Nash Theatre
'The Cemetery Club' was intimate.
While ‘The Cemetery Club’ can and should be enjoyed by audiences outside of its target demographic, this is …
‘Tiny Beautiful Things’ // Queensland Theatre
'Tiny Beautiful Things' was soul-stirring.
Letter after letter, story after story, the emotion was palpable, and everyone’s timing, versatility a…
‘Break’ // The Farm
‘Break’ was intense.
What is the cost of our ambition? ‘Break’ is a brand-new autobiographical work by Cecilia Martin, known in the show as…