Category: Independent Reviews

‘ROAR’ was a knockout. After a captivating debut at last year’s Melbourne International Comedy Festival, comedienne Lisa Sharpe is back for …

‘The Briefing’ was (#fake) newsworthy. The old saying goes, ‘comedy is subjective’. What one person finds hilarious; another may barely cra…

‘I Love You, Bro’ is chilling. From one shocking lie, adorned identity or unbelievable turn of events to the next, the production's pace, ener…

'The Adventures of Peter Rabbit' was impressive. Tucked away in Seven Hills, the Ron Hurley Theatre came alive this week with Small Crown Productio…

'Nineteen' was confronting. This production is not for the faint hearted, but it tells a necessary and much needed story. It gives us an insight in…

‘Case Numbers’ was layered. Part comedy show, part fictitious true story, and an entire conceptual performance, ‘Case Numbers’ skilfully me…

'Betwixt' was captivating. Betwixt, from emerging street-dance collective Pink Matter, combines contemporary dance with spoken word for a powerful …

‘Sexual Misconduct of the Middle Classes’ was puzzling. Amongst the captivating comedic writing, taboo topics of age, sex and power dynamics, a…

'Lysistrata' was raucous. “Silly, hot pink and glittery” is how ‘Lysistrata’ playwright and producer El Waddingham says feminist political…

'Oklahoma' was beautiful. Buckle up and get yourself to the Redcliffe Entertainment Centre to enjoy the frivolity and joy of Lynch and Paterson's …