‘Spamalot’ // Paterson Productions
‘Spamalot' was rollicking.
Fans of Monty Python were primed, ready to go on an epic adventure for the ‘Holy Grail’ with Paterson Production�…
Category: Independent Reviews
‘Parasocial Parallax’ // AG Productions and PIP Theatre
‘Parasocial Parallax’ was interactive.
Parasocial Parallax is set in an all-too-plausible near future; akin to Black Mirror, it uses sci-fi tec…
‘Jack Sharpe and The Curse of The Forbidden Fruit’ // Fake Blood and Backbone
'Jack Sharpe and The Curse of The Forbidden Fruit’ was confronting.
Presented by Fake Blood, in conjunction with Backbone Festival, ‘Jack Sharp…
‘Clue: On Stage’ // Footlights Theatrical Inc.
Mrs. Peacock, a Candle Stick, and a Kitchen full of suspense? Or was it?
Beenleigh's Tin Shed (Phoenix Ensemble) has become the playing ground for …
‘Flight’ // Darkfield Australia
'Flight' was indescribable.
Are you ready to take a trip of a lifetime? Then HOTA and Darkfield Australia have you covered! Get ready for one epi…
‘Leave to Enter’ // Nick Robertson and Good Chat Comedy Club
‘Leave to Enter’ was self-deprecating.
Billed as the 2017 story of how “the most Scottish-looking person, with the most Scottish last name, w…
‘Crazy F*cking B*tches’ // A Little Life Theatre
‘Crazy F*cking B*tches’ was unapologetic.
A non-narrative physical theatre piece, ‘Crazy F*cking B*tches’ is radical in both it’s form an…
‘Ravenous’ // Samuel Brookfield and Good Chat Comedy Club
‘Ravenous’ was scoff-worthy (in a good way).
As a performer, Brookfield has some great material to work with, and when he feels passionately ab…
‘PASHUN’ // TheatrePunk Co.
'PASHUN' was poetic.
'PASHUN' offers a rare and delightful night of absurdist theatre. Harrison Mills has crafted a remarkable piece of theatre.
‘The Penelopiad’ // Queensland Shakespeare Ensemble
'The Penelopiad’ was ethereal.
Whether you’re a fan of Homer (the poet, not Simpson), Atwood, or just want to see what a Greek chorus can do w…