‘Motorboat’ // Melbourne International Comedy Festival & Mel McGlensey
‘Motorboat’ takes on an all-encompassing ride of boat self-discovery mixed with an enormous amount of comedy, silliness, and nautical naughtines…
Category: Independent Reviews
‘Still Dry White’ // Nick Schuller
‘Still Dry White’ was deadpan.
Schuller’s deadpan ability to mock the world around him is something special, don’t give this one a miss.
‘I Love Money’ // Melbourne International Comedy Festival & Jett Bond
‘I Love Money’ was eccentric. Introducing Jett… Jett Bond. The absurdly eccentric and funny clown with a love for all things money. Performing at The…
‘Hot White Kiss’ // James WF Roberts
‘Hot White Kiss’ was provocative. There is controversial and there is James Roberts’ Hot White Kiss. Condensed from a longer work originally produced for Cracked…
‘As You Like It’ // Ozact
‘As You Like It’ was lively.
It's become a cliché to say that Shakespeare should be performed and not read, but this is true more for 'As You …
‘The 39 Steps’ // Hearth Theatre
‘The 39 Steps’ was addictive. Stepping into The Chapel at Chapel Off Chapel on a hot 37-degree evening in March, the crowd is alive, sipping…
‘Banging Denmark’ // PIP Theatre
‘Banging Denmark’ was bawdy in its hilarious indecency and exploration of what it means to be a man versus a woman amid today’s constantly evolv…
‘The Wolves’ // Ad Astra
‘The Wolves’ was vicious.
It’s the most dramatic thing ever - being a teenager. This is the underlying theme that Sarah DeLappe’s Pulitze…
‘The Duchess of Malfi’ // Arrant Knaves Theatre Company
'The Duchess of Malfi' was tense.
This adaptation of ‘The Duchess of Malfi’ makes the four-hundred-year-old concerns of the revenge tragedy acc…
‘Pygmalion’ // Minola Theatre
‘Pygmalion’ was expressive.
In a world that has such a class divide, it is refreshing to see Minola Theatre step out and give a diverse look in…
