‘Reclaim the Crone’ // Theatre Works
‘Reclaim the Crone’ was explorative.
‘Reclaim the Crone’ by Gabriella Leah New seeks to reclaim the Wise old Woman archetype within the patri…
Category: Independent Reviews
‘Cirque Bon Bon’ // Jacs Entertainment and Woodward Productions
There’s nothing better than to finish these winter school holidays off with watching an all star cast of contortionists, acrobats and dancing extrao…
‘Who’s Afraid of Virginia Woolf?’ // Comedy Theatre
Edward Albee’s ‘Who’s Afraid of Virginia Woolf’ uses heavy naturalism, a theatre movement that intends to replicate real life. Whilst it was c…
‘Famished Future Feeders’ // Metro Arts
‘Famished Future Feeders’ was bold in its delivery but ultimately left audiences hungry for more depth. With flashes of humour, a glimpse into an …
‘No Reception’ // Drama King Theatre Company
'No Reception’ was relentless.
Jason Ekonomides’ ‘No Reception’ is vulgar, crass, and crude. Drama King’s production, which is playing at t…
‘The Last Train to Madeline’ // Fever 103 Theatre
‘The Last Train to Madeline’ was fragmented.
Callum Mackay’s new play ‘The Last Train to Madeline’ is being presented at the Meat Market St…
‘The Platypus’ // Theatre Works
‘The Platypus’ was eccentric. If all of Francis Greenslade’s characters over the years on ‘Mad As Hell’ and various other sketch shows, got together to…
‘Samuel Beckett and The Rainbow Girl’ // Bloomsday in Melbourne
‘Samuel Beckett and The Rainbow Girl’ was genius. Genius, love, madness and violence in 1920s Paris. Set in the often-romanticised literary scene of Paris in…
‘Ghosts’ // Theatre Works
'Ghosts’ was compelling.
All the characters in ‘Theatre Works’ production of Henrik Ibsen’s “Ghosts” are haunted, but not by anything sup…
‘Theatresports Grand Championships’ // Brisbane Comedy Festival
‘Theatresports Grand Championships: River City Rivals’ was playful.
If you’re intrigued by the idea of live creativity and appreciate the guts …