In The Haus: Dianne Toulson

Dianne Toulson’s career in theatre has been driven by a passion for bold storytelling and a commitment to supporting independent artists. Working in producing, programming, and venue management, Toulson has always strived to create opportunities that challenge perspectives and engage audiences. Now, as the producer of Three Sisters at Theatre Works, Dianne brings a fresh vision to Chekhov’s classic, ensuring the production resonates with contemporary audiences while remaining true to its timeless themes.

In this latest In The Haus feature, Theatre Haus chats with Toulson about their creative journey, the milestones that have shaped Toulson’s career, and Theatre Work’s upcoming production of ‘Three Sisters’. Join us as we explore the vital role Toulson plays in bringing ambitious productions to life and fostering a space where artists can take risks and push boundaries.

We’d love to know more about the beginning of your career – where and how did you get your start?

My career in theatre began in the independent sector, where I worked across various roles, from producing and programming to venue management and artistic development. I was drawn to theatre because of its ability to challenge perspectives, spark conversations, and create shared experiences that leave lasting impacts. Over time, my passion evolved into creating opportunities for artists and audiences to connect through bold and meaningful storytelling.

What or who were some of your early influences or inspirations that shaped your career?

I’ve always been inspired by theatre makers who push boundaries – those who aren’t afraid to experiment and take risks. Companies like The Danger Ensemble, Lyric Opera, and of course, Susie Dee & Patricia Cornelius are my true heroes, as well as independent artists who create innovative and thought-provoking work, have played a huge role in shaping my understanding of what theatre can be.

What are some of the most defining moments or milestones in your career so far?

One of the biggest milestones has been leading Theatre Works through its redevelopment, ensuring we continue to support independent artists while expanding our capabilities as a venue. Another defining moment was securing funding for ambitious productions that might not otherwise be staged, giving new Australian works a platform.

What is a quirky fact about you, or something people wouldn’t expect about your story?

I have a deep fascination with the intersection of theatre and technology, particularly AI’s influence on storytelling. I’m even working on a play about it! Also, I once managed a market where a temporary tattooist was a featured attraction – so I’m no stranger to thinking outside the box when it comes to events!

What are you currently working on and how has that creative process been?

I’m currently producing ‘Three Sisters’ under Theatre Works’ main stage season, directed by Greg Carroll. It’s a significant production for us, as it has been selected for the 2025 VCE Theatre Studies Playlist, ensuring it reaches and impacts young theatre-makers and students. The process has been incredibly rewarding – seeing a classic text brought to life with fresh perspectives while balancing the demands of education and artistic interrogation.

What’s in your rehearsal bag that you can’t go without?

An open mind and heart.
I believe it is important to let the actors find their character and rhythm naturally. Also, snacks. Theatre schedules don’t always allow for proper meals! Oh and turn off the phone!

Susie Miller’s ‘Prima Facie’ has been a huge inspiration for its sharp storytelling and emotional depth.

I also highly recommend ‘The Empty Space’ by Peter Brook – it’s a timeless exploration of theatre’s power and purpose. This theory was reinforced to me personally when I produced ‘Swansong’ performed by Andre De Vanny; a person on the stage with a paper bag and nothing more, gave the most impactful performance I have ever seen.

What advice would you give to a young person today aspiring to walk in your shoes?

Get involved in as many aspects of theatre as possible.

The best producers, directors, and artists have a deep understanding of how every role contributes to a production. Say yes to opportunities, even if they seem outside your comfort zone – each experience builds your resilience and skill set.

What are your future aspirations or projects that you’re excited about?

Beyond ‘Three Sisters’, I’m excited about Theatre Works’ continued growth, especially as we expand our venue’s capacity and artistic offerings. I’m also developing my own writing projects, including a play that explores AI’s influence on human morality and decision-making.

Theatre Haus is the ‘home of theatre’, where, what or who do you call home?

Home is where passionate artists and communities come together to tell stories that matter. For me, that’s Theatre Works. It’s not just a venue, it’s a space where independent artists can take risks, experiment, and create work that challenges and inspires.

‘Three Sisters’ plays at Theatre Works for a limited season, from 7 March 2025. You can follow Theatre Works on Facebook and Instagram for updates on this season and news on other upcoming productions.

Want to feature in our In The Haus series? Email [email protected].