‘Cost of Living’ // Queensland Theatre and Sydney Theatre Company
‘Cost of Living’ was curious.
Presented by Queensland Theatre in collaboration with Sydney Theatre Company, ‘Cost of Living’ is a snapshot into two complex partnerships; one between a young student with cerebral palsy and his new carer, the other between a wheelchair user – following an accident – and her ex-husband.
Themes of human connection, interdependence, and the lived experience of disability permeate the script. However, in the opening and closing scenes, playwright Martyna Majok, opted instead to place spotlight to the carer and family instead of the characters of Ani and John, who live with disability. While the intention behind this choice was not clear, it felt somewhat clumsy and disconcerting.
A play of realism and authenticity, ‘Cost of Living’ includes moments of full frontal nudity and intimate bathing. These explicit yet venerable inclusions highlight the vulnerability of individuals living with disabilities.
Sets by Michael Scott-Mitchell added layers to the production value; with moving flats painted as brick walls, a drainage system centre stage, and a removable bathtub and shower. A particularly beautiful feature was the use of fake snow to create a cold New York winter.
Lighting design by John Rayment danced with sound design by Guy Webster, incorporating traditional spots and fades alongside classical and orchestral music choices. Though set in modern-day USA, the use of these established sound and lighting options gave the piece weight, gravity, and resonance.
Co-Direction by Dan Daw and Priscilla Jackman resulted in well-paced, albeit verbally theatrical, scene work. Moments of stillness and calm were rare but deeply effective when they occurred.
Dan Daw, as John, gave a standout performance, filled with rawness and consideration. Daw delivered a soft and nuanced character, quick witted and exposed; and was able to hold stage presence without overperforming the more subtle moments of the play
Kate Hood, as Ani, was exceptionally funny and sassy; Philip Quast, as Eddie, was demanding but consistent; and Zoe de Plevitz presented a complex character in Jess.
‘Cost of Living’ is both meaningful and important; offering audience members an unfiltered look at the lived realities of people with disability and their relationships. While the script’s head and tail could be more considerate, the body of the work is both powerful and poignant, reminding viewers of the human need for connection, the challenge of communication, and the yearning to be included.
‘Cost of Living’ performs until July 13th at Queensland Theatre. For more information visit Queensland Theatre’s website.
